{"id":1970,"date":"2018-01-26T18:09:18","date_gmt":"2018-01-26T17:09:18","guid":{"rendered":"http:\/\/www.joostrekveld.net\/?page_id=1970"},"modified":"2018-01-26T20:07:44","modified_gmt":"2018-01-26T19:07:44","slug":"1-visual-music","status":"publish","type":"page","link":"https:\/\/www.joostrekveld.net\/?page_id=1970","title":{"rendered":"1: visual music"},"content":{"rendered":"<p><strong>colour organs<\/strong><\/p>\n<p>Isaac Newton&#8217;s colour circle, and Louis Bertrand Castel&#8217;s &#8216;Clavecin Oculaire&#8217;<\/p>\n<figure id=\"attachment_447\" aria-describedby=\"caption-attachment-447\" style=\"width: 400px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/04\/newtoncircle.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-447\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/04\/newtoncircle.jpg\" alt=\"Newton's colour circle (1704).\" width=\"400\" height=\"353\" \/><\/a><figcaption id=\"caption-attachment-447\" class=\"wp-caption-text\">Newton&#8217;s colour circle (1704).<\/figcaption><\/figure>\n<p>Alexander Wallace Rimington, Mary Hallock-Greenewalt<\/p>\n<figure id=\"attachment_184\" aria-describedby=\"caption-attachment-184\" style=\"width: 262px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/01\/rimington.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-184\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/01\/rimington.gif\" alt=\"A.W.Rimington and his colour organ.\" width=\"262\" height=\"384\" \/><\/a><figcaption id=\"caption-attachment-184\" class=\"wp-caption-text\">A.W.Rimington and his colour organ.<\/figcaption><\/figure>\n<figure id=\"attachment_1977\" aria-describedby=\"caption-attachment-1977\" style=\"width: 321px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/113.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1977\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/113-321x494.jpg\" alt=\"Colour instrument invented by Mary Hallock Greenewalt.\" width=\"321\" height=\"494\" srcset=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/113-321x494.jpg 321w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/113-122x188.jpg 122w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/113-390x600.jpg 390w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/113.jpg 1274w\" sizes=\"auto, (max-width: 321px) 100vw, 321px\" \/><\/a><figcaption id=\"caption-attachment-1977\" class=\"wp-caption-text\">Colour instrument invented by Mary Hallock Greenewalt.<\/figcaption><\/figure>\n<p>Thomas Wilfred<\/p>\n<figure id=\"attachment_1980\" aria-describedby=\"caption-attachment-1980\" style=\"width: 494px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/139b.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1980\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/139b-494x323.jpg\" alt=\"Opus 158  by Thomas Wilfred (1963-64).\" width=\"494\" height=\"323\" srcset=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/139b-494x323.jpg 494w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/139b-188x123.jpg 188w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/139b-800x524.jpg 800w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/139b.jpg 1024w\" sizes=\"auto, (max-width: 494px) 100vw, 494px\" \/><\/a><figcaption id=\"caption-attachment-1980\" class=\"wp-caption-text\">Opus 158 by Thomas Wilfred (1963-64).<\/figcaption><\/figure>\n<p><strong>abstract film<\/strong><\/p>\n<p>First experiments by Arnaldo Ginna and Bruno Corra<br \/>\nFirst preserved films by Viking Eggeling and Walther Ruttmann<br \/>\nOskar Fischinger as a central figure.<\/p>\n<figure id=\"attachment_451\" aria-describedby=\"caption-attachment-451\" style=\"width: 450px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/04\/allegretto.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-451\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/04\/allegretto.jpg\" alt=\"Still from 'Alegretto' by Oskar Fischinger (1932).\" width=\"450\" height=\"300\" \/><\/a><figcaption id=\"caption-attachment-451\" class=\"wp-caption-text\">Still from &#8216;Alegretto&#8217; by Oskar Fischinger (1932).<\/figcaption><\/figure>\n<p>John and James Whitney, Jordan Belson, Harry Smith<\/p>\n<figure id=\"attachment_406\" aria-describedby=\"caption-attachment-406\" style=\"width: 450px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/belsonsamadhi.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-406\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/belsonsamadhi.jpg\" alt=\"Still from 'Samadhi' by Jordan Belson.\" width=\"450\" height=\"327\" \/><\/a><figcaption id=\"caption-attachment-406\" class=\"wp-caption-text\">Still from &#8216;Samadhi&#8217; by Jordan Belson.<\/figcaption><\/figure>\n<p><strong>synthetic video<\/strong><\/p>\n<p>Eric Siegel<br \/>\nDan Sandin, Rutt-Etra and Steven Beck<\/p>\n<figure id=\"attachment_1982\" aria-describedby=\"caption-attachment-1982\" style=\"width: 331px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/301.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1982\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/301.jpg\" alt=\"Dan Sandin and his Image Processor.\" width=\"331\" height=\"437\" srcset=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/301.jpg 331w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/301-142x188.jpg 142w\" sizes=\"auto, (max-width: 331px) 100vw, 331px\" \/><\/a><figcaption id=\"caption-attachment-1982\" class=\"wp-caption-text\">Dan Sandin and his Image Processor.<\/figcaption><\/figure>\n<p>the return of the modular video synthesizer<\/p>\n<p><strong>interactive software<\/strong><\/p>\n<p>Scott Snibbe, Golan Levin, Scott Draves<br \/>\nVJ-ing and live cinema<\/p>\n<p><strong>synesthesia and analogy<\/strong><\/p>\n<p>&#8211; some people are synesthetes<br \/>\n(famous examples are Alexander Scriabin and Olivier Messiaen)<br \/>\n&#8211; studied by science since 1920&#8217;s, some correspondences are arbitrary, some are not<br \/>\n&#8211; analogies are fundamental for how we think<\/p>\n<p>Analogy as a way to invent a new art form.<\/p>\n<figure id=\"attachment_1983\" aria-describedby=\"caption-attachment-1983\" style=\"width: 494px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/503.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1983\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/503-494x286.gif\" alt=\"Overview of colour-scales compiled by Fred Collopy.\" width=\"494\" height=\"286\" srcset=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/503-494x286.gif 494w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/503-188x108.gif 188w\" sizes=\"auto, (max-width: 494px) 100vw, 494px\" \/><\/a><figcaption id=\"caption-attachment-1983\" class=\"wp-caption-text\">Overview of colour-scales compiled by Fred Collopy.<\/figcaption><\/figure>\n<figure id=\"attachment_1984\" aria-describedby=\"caption-attachment-1984\" style=\"width: 494px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/504.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1984\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/504-494x298.jpg\" alt=\"Maluma-Takete experiment by Wolfgang Koehler (1927).\" width=\"494\" height=\"298\" srcset=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/504-494x298.jpg 494w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/504-188x113.jpg 188w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/504.jpg 650w\" sizes=\"auto, (max-width: 494px) 100vw, 494px\" \/><\/a><figcaption id=\"caption-attachment-1984\" class=\"wp-caption-text\">Synesthesia experiment by Wolfgang Koehler (1927).<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>colour organs Isaac Newton&#8217;s colour circle, and Louis Bertrand Castel&#8217;s &#8216;Clavecin Oculaire&#8217; Alexander Wallace Rimington, Mary Hallock-Greenewalt Thomas Wilfred abstract film First experiments by Arnaldo Ginna and Bruno Corra First preserved films by Viking Eggeling and Walther Ruttmann Oskar Fischinger as a central figure. John and James Whitney, Jordan Belson, Harry Smith synthetic video Eric &hellip; <a href=\"https:\/\/www.joostrekveld.net\/?page_id=1970\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">1: visual music<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1964,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1970","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/pages\/1970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1970"}],"version-history":[{"count":14,"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/pages\/1970\/revisions"}],"predecessor-version":[{"id":2006,"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/pages\/1970\/revisions\/2006"}],"up":[{"embeddable":true,"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/pages\/1964"}],"wp:attachment":[{"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}