{"id":2052,"date":"2018-01-26T22:25:24","date_gmt":"2018-01-26T21:25:24","guid":{"rendered":"http:\/\/www.joostrekveld.net\/?page_id=2052"},"modified":"2018-01-26T22:28:08","modified_gmt":"2018-01-26T21:28:08","slug":"7-virtual-art","status":"publish","type":"page","link":"https:\/\/www.joostrekveld.net\/?page_id=2052","title":{"rendered":"7: virtual art"},"content":{"rendered":"<p><strong>intro: three starting points<\/strong><\/p>\n<p>Camillo Theatre of Memory<br \/>\nPanorama&#8217;s and Diorama&#8217;s<br \/>\nAby Warburg&#8217;s Denkraum<\/p>\n<figure id=\"attachment_2054\" aria-describedby=\"caption-attachment-2054\" style=\"width: 494px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/Cross-section-of-the-rotund_0.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/Cross-section-of-the-rotund_0-494x338.jpg\" alt=\"Barker&#039;s panorama in London (1793).\" width=\"494\" height=\"338\" class=\"size-large wp-image-2054\" srcset=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/Cross-section-of-the-rotund_0-494x338.jpg 494w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/Cross-section-of-the-rotund_0-188x128.jpg 188w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/Cross-section-of-the-rotund_0-800x548.jpg 800w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/Cross-section-of-the-rotund_0.jpg 960w\" sizes=\"auto, (max-width: 494px) 100vw, 494px\" \/><\/a><figcaption id=\"caption-attachment-2054\" class=\"wp-caption-text\">Barker&#8217;s panorama in London (1793).<\/figcaption><\/figure>\n<p><strong>history of virtual reality<\/strong><\/p>\n<p>Morton Heilig, Sensorama<br \/>\nIvan Sutherland, Sword of Damocles and &#8216;Ultimate Display&#8217;<br \/>\nMyron Krueger&#8217;s Videoplace<br \/>\nThe CAVE<br \/>\nScott Fisher and NASA<br \/>\nSecond Life<\/p>\n<figure id=\"attachment_2055\" aria-describedby=\"caption-attachment-2055\" style=\"width: 385px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/201.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/201-385x494.jpg\" alt=\"Morton Heilig&#039;s &quot;Sensorama&quot;.\" width=\"385\" height=\"494\" class=\"size-large wp-image-2055\" srcset=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/201-385x494.jpg 385w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/201-146x188.jpg 146w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/201-468x600.jpg 468w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/201.jpg 625w\" sizes=\"auto, (max-width: 385px) 100vw, 385px\" \/><\/a><figcaption id=\"caption-attachment-2055\" class=\"wp-caption-text\">Morton Heilig&#8217;s &#8220;Sensorama&#8221;.<\/figcaption><\/figure>\n<figure id=\"attachment_2056\" aria-describedby=\"caption-attachment-2056\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/2101.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/2101.jpg\" alt=\"Myron Krueger&#039;s &quot;Videoplace&quot;.\" width=\"300\" height=\"204\" class=\"size-full wp-image-2056\" srcset=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/2101.jpg 300w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/2101-188x127.jpg 188w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-2056\" class=\"wp-caption-text\">Myron Krueger&#8217;s &#8220;Videoplace&#8221;.<\/figcaption><\/figure>\n<figure id=\"attachment_2057\" aria-describedby=\"caption-attachment-2057\" style=\"width: 494px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/230.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/230-494x328.jpg\" alt=\"Dan Sandin in the CAVE II at EVL as seen in 2017.\" width=\"494\" height=\"328\" class=\"size-large wp-image-2057\" srcset=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/230-494x328.jpg 494w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/230-188x125.jpg 188w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/230-800x532.jpg 800w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/230.jpg 2000w\" sizes=\"auto, (max-width: 494px) 100vw, 494px\" \/><\/a><figcaption id=\"caption-attachment-2057\" class=\"wp-caption-text\">Dan Sandin in the CAVE II at EVL as seen in 2017.<\/figcaption><\/figure>\n<figure id=\"attachment_2058\" aria-describedby=\"caption-attachment-2058\" style=\"width: 302px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/249.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/249.jpg\" alt=\"Scott Fisher in his virtual reality at NASA.\" width=\"302\" height=\"400\" class=\"size-full wp-image-2058\" srcset=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/249.jpg 302w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/249-141x188.jpg 141w\" sizes=\"auto, (max-width: 302px) 100vw, 302px\" \/><\/a><figcaption id=\"caption-attachment-2058\" class=\"wp-caption-text\">Scott Fisher in his virtual reality at NASA.<\/figcaption><\/figure>\n<p><strong>some examples of interactive virtual art projects<\/strong><\/p>\n<p>Monika Fleischmann \/ Wolfgang Strauss \/ Art+Com<br \/>\nBerlin Cyber City<br \/>\nHome of the Brain<\/p>\n<figure id=\"attachment_2059\" aria-describedby=\"caption-attachment-2059\" style=\"width: 354px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/305.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/305.jpg\" alt=\"An image from &quot;Home of the Brain&quot; by Monika Fleischmann and Wolfgang Strauss.\" width=\"354\" height=\"239\" class=\"size-full wp-image-2059\" srcset=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/305.jpg 354w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/305-188x126.jpg 188w\" sizes=\"auto, (max-width: 354px) 100vw, 354px\" \/><\/a><figcaption id=\"caption-attachment-2059\" class=\"wp-caption-text\">An image from &#8220;Home of the Brain&#8221; by Monika Fleischmann and Wolfgang Strauss.<\/figcaption><\/figure>\n<p>Jeffrey Shaw<br \/>\nLegible City <\/p>\n<figure id=\"attachment_2060\" aria-describedby=\"caption-attachment-2060\" style=\"width: 494px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/299.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/299-494x370.jpg\" alt=\"View of Shaw&#039;s &quot;Legible City&quot;.\" width=\"494\" height=\"370\" class=\"size-large wp-image-2060\" srcset=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/299-494x370.jpg 494w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/299-188x140.jpg 188w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/299-800x600.jpg 800w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/299.jpg 1280w\" sizes=\"auto, (max-width: 494px) 100vw, 494px\" \/><\/a><figcaption id=\"caption-attachment-2060\" class=\"wp-caption-text\">View of Shaw&#8217;s &#8220;Legible City&#8221;.<\/figcaption><\/figure>\n<p>Maurice Benayoun<br \/>\nWorld Skin <\/p>\n<p>Christa Sommerer &#038; Laurent Mignonneau<br \/>\nInteractive Plant Growing<br \/>\nA-Volve<\/p>\n<p>Charlotte Davies<br \/>\nOsmosis<\/p>\n<figure id=\"attachment_2061\" aria-describedby=\"caption-attachment-2061\" style=\"width: 494px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/3301.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/3301-494x385.jpg\" alt=\"A view inside &quot;Osmosis&quot; by Charlotte Davies.\" width=\"494\" height=\"385\" class=\"size-large wp-image-2061\" srcset=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/3301-494x385.jpg 494w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/3301-188x146.jpg 188w, https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2018\/01\/3301.jpg 768w\" sizes=\"auto, (max-width: 494px) 100vw, 494px\" \/><\/a><figcaption id=\"caption-attachment-2061\" class=\"wp-caption-text\">A view inside &#8220;Osmosis&#8221; by Charlotte Davies.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>intro: three starting points Camillo Theatre of Memory Panorama&#8217;s and Diorama&#8217;s Aby Warburg&#8217;s Denkraum history of virtual reality Morton Heilig, Sensorama Ivan Sutherland, Sword of Damocles and &#8216;Ultimate Display&#8217; Myron Krueger&#8217;s Videoplace The CAVE Scott Fisher and NASA Second Life some examples of interactive virtual art projects Monika Fleischmann \/ Wolfgang Strauss \/ Art+Com Berlin &hellip; <a href=\"https:\/\/www.joostrekveld.net\/?page_id=2052\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">7: virtual art<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1964,"menu_order":53,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2052","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/pages\/2052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2052"}],"version-history":[{"count":2,"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/pages\/2052\/revisions"}],"predecessor-version":[{"id":2064,"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/pages\/2052\/revisions\/2064"}],"up":[{"embeddable":true,"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/pages\/1964"}],"wp:attachment":[{"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}