{"id":337,"date":"2007-03-11T21:12:22","date_gmt":"2007-03-11T20:12:22","guid":{"rendered":"http:\/\/www.lumen.nu\/rekveld\/wp\/?page_id=337"},"modified":"2009-04-07T22:07:24","modified_gmt":"2009-04-07T21:07:24","slug":"lecture-1-the-camera-eye","status":"publish","type":"page","link":"https:\/\/www.joostrekveld.net\/?page_id=337","title":{"rendered":"lecture 2: the camera eye"},"content":{"rendered":"<p>&#8211; introduction: the camera eye metaphor<\/p>\n<p><img decoding=\"async\" id=\"image343\" alt=\"kuhne.jpg\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/kuhne.jpg\" \/><\/p>\n<p><em>Retinal Photograph, drawn by Willy K\u00fchne, 1878<br \/>\n&#8220;He had exposed the eye of a living rabbit to a barred window, killed the rabbit, removed the retina and fixed it in alun&#8221;  <\/em><\/p>\n<p>&#8211; the shadow as the origin of painting, the myth of Butades<\/p>\n<p><img decoding=\"async\" alt=\"daegebutades.jpg\" id=\"image358\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/daegebutades.jpg\" \/><br \/>\n<em>Eduard Daege, &#8220;Die Erfindung der Malerei&#8221;, 1832, Nationalgalerie, Berlin.<\/em><\/p>\n<p>&#8211; Plato&#8217;s allegory of the cave<\/p>\n<p><img decoding=\"async\" id=\"image359\" alt=\"saenredamcave.jpg\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/saenredamcave.jpg\" \/><br \/>\n<em>Jan Saenredam, 1604<\/em><\/p>\n<p>&#8211; Optics in antiquity<\/p>\n<p><img decoding=\"async\" id=\"image360\" alt=\"euclid.jpg\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/euclid.jpg\" \/><br \/>\n<em>a renaissance manuscript of Euclid&#8217;s Optics<\/em><\/p>\n<p>&#8211;  Optical theories by Alhazen and Bacon<\/p>\n<p><img decoding=\"async\" alt=\"alhazen1083anatomy.jpg\" id=\"image361\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/alhazen1083anatomy.jpg\" \/><br \/>\n<em>the geometrically idealized anatomy of the eye by Alhazen<\/em><\/p>\n<p>&#8211; Kepler and the retinal image<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"239\" height=\"364\" alt=\"cigolicamera16131.jpg\" id=\"image362\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/cigolicamera16131.jpg\" \/><img loading=\"lazy\" decoding=\"async\" width=\"190\" height=\"364\" alt=\"dioptrique0341.jpg\" id=\"image363\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/dioptrique0341.jpg\" \/><br \/>\n<em>the retinal image as visualized by Cigoli (1613, left) and Descartes (1637, right).<\/em><\/p>\n<p>&#8211; the development of perspective in painting until Desargues<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"246\" height=\"338\" id=\"image364\" alt=\"vaneyck.jpg\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/vaneyck.jpg\" \/><img loading=\"lazy\" decoding=\"async\" width=\"166\" height=\"338\" id=\"image366\" alt=\"masaccio.jpg\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/masaccio.jpg\" \/><br \/>\n<em>van Eyck (1434, left), Masaccio (1427, right) <\/em><\/p>\n<p><img decoding=\"async\" id=\"image367\" alt=\"vignola.jpg\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/vignola.jpg\" \/><br \/>\n<em>from the &#8216;Due Regole&#8217; by Vignola\/Danti (1583)<\/em><\/p>\n<p>&#8211;  the telescope and the microscope<\/p>\n<p><img decoding=\"async\" id=\"image368\" alt=\"galilei.jpg\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/galilei.jpg\" \/>  <img decoding=\"async\" alt=\"leewenhoek.jpg\" id=\"image370\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/leewenhoek.jpg\" \/><br \/>\n<em>sunspots by Galilei (1612), sperm by Leeuwenhoek (ca. 1673).<\/em><\/p>\n<p>&#8211; perspective machines and the photocamera<\/p>\n<p><font size=\"-1\"><font size=\"-1\"><img decoding=\"async\" alt=\"dubreuil.jpg\" id=\"image371\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/dubreuil.jpg\" \/><br \/>\n<em>perspective grid by Dubreuil (1642).<\/em><\/font><\/font><\/p>\n<p><font size=\"-1\"><font size=\"-1\"><img decoding=\"async\" alt=\"atkinson.jpg\" id=\"image372\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/atkinson.jpg\" \/><br \/>\n<em>portable camera obscura by Atkinson (1855). <\/em><\/font><\/font><\/p>\n<p><font size=\"-1\"><font size=\"-1\">&#8211; perspective wars, perspective and truth<\/font><\/font><\/p>\n<p><font size=\"-1\"><font size=\"-1\"><img decoding=\"async\" alt=\"elinga.jpg\" id=\"image373\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/elinga.jpg\" \/><br \/>\n<em>perspective box by Pieter Janssens Elinga (1660-1680). <\/em><\/font><\/font><\/p>\n<p><font size=\"-1\"><font size=\"-1\">&#8211; the camera eye of Dziga Vertov<\/font><\/font><\/p>\n<p><font size=\"-1\"><font size=\"-1\"><img decoding=\"async\" alt=\"vertoveye.jpg\" id=\"image374\" src=\"https:\/\/www.joostrekveld.net\/wp\/wp-content\/uploads\/2007\/03\/vertoveye.jpg\" \/><br \/>\n<em>still from &#8216;Man with the Movie Camera&#8217; (1929).<\/em><\/font><\/font><\/p>\n<p><font size=\"-1\"><font size=\"-1\">further reading: <\/font><\/font><\/p>\n<ul><font size=\"-1\"><font size=\"-1\"> <font size=\"-1\"><font size=\"-1\" \/> <font size=\"-1\"><font size=\"-1\"><font size=\"-1\" \/><\/font><\/font><\/font> <font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\" \/><\/font><\/font><\/font><\/font><\/font><\/font> <font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><\/p>\n<li>David C. Lindberg, &#8220;Theories of Vision from Al-Kindi to Kepler&#8221;, University of Chicago Press, 1976.<\/li>\n<li>Martin Kemp, &#8220;The Science of Art, Optical Themes in Western Art from Brunelleschi to Seurat&#8221;, ,Yale University Press, 1990.<\/li>\n<p><\/font><\/font><\/font><\/font><\/font><\/font><\/font><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\" \/><\/font><\/font><\/font><\/font><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\" \/><\/font><\/font><\/font><\/font><\/font><\/font><\/ul>\n<p><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\">even further reading:<\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/p>\n<ul><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"> <font size=\"-1\"><font size=\"-1\" \/><\/font> <font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\" \/><\/font><\/font><\/font><\/font><\/font><\/font> <font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\" \/><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font> <font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><\/p>\n<li>George Wald, &#8220;Eye and camera&#8221;, in &#8220;Scientific American&#8221;, 183 (1950), pp. 32\u201341.<\/li>\n<li>Victor I. Stoichita, &#8220;A Short History of the Shadow&#8221;, Reaktion Books, London, 1997.<\/li>\n<li>Philippe Hamou, \u201cLa Mutation Du Visible, Essai Sur La Port\u00e9e Epist\u00e9mologique Des Instruments d\u2019Optique au XVIIe Si\u00e8cle, Volume 1 et 2\u201d, Presses Universitaires du Septentrion, Villeneuve d\u2019Asq, 1999-2001.<\/li>\n<li>Laurent Mannoni, &#8220;Le Grand Art de la Lumi\u00e8re et de l&#8217;Ombre&#8221;, Nathan, Paris, 1995.<\/li>\n<li>Annette Michelson (ed.), &#8220;Kino-Eye, the Writings of Dziga Vertov&#8221;, University of California Press, 1984.<\/li>\n<li>blog item on <a href=\"https:\/\/www.joostrekveld.net\/wp\/?p=352\">Kepler and the camera eye<\/a><a href=\"https:\/\/www.joostrekveld.net\/wp\/symmetry\" \/><\/li>\n<p><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\" \/><\/font><\/font><\/font><\/font><\/font><\/font><\/font><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\"><font size=\"-1\" \/><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/font><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&#8211; introduction: the camera eye metaphor Retinal Photograph, drawn by Willy K\u00fchne, 1878 &#8220;He had exposed the eye of a living rabbit to a barred window, killed the rabbit, removed the retina and fixed it in alun&#8221; &#8211; the shadow as the origin of painting, the myth of Butades Eduard Daege, &#8220;Die Erfindung der Malerei&#8221;, &hellip; <a href=\"https:\/\/www.joostrekveld.net\/?page_id=337\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">lecture 2: the camera eye<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":167,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-337","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/pages\/337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=337"}],"version-history":[{"count":0,"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/pages\/337\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=\/wp\/v2\/pages\/167"}],"wp:attachment":[{"href":"https:\/\/www.joostrekveld.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}