{"id":340,"date":"2007-03-11T21:14:04","date_gmt":"2007-03-11T20:14:04","guid":{"rendered":"http:\/\/www.lumen.nu\/rekveld\/wp\/?page_id=340"},"modified":"2009-04-07T22:07:42","modified_gmt":"2009-04-07T21:07:42","slug":"lecture-3-images-from-first-principles","status":"publish","type":"page","link":"https:\/\/www.joostrekveld.net\/?page_id=340","title":{"rendered":"lecture 1: images from first principles"},"content":{"rendered":"

– colour
\n\"newtoncircle.jpg\" \"rimington.jpg\"
\nIsaac Newton’s colour circle (1704) and Alexander Wallace Rimingtons colour organ (1910).<\/em><\/p>\n

\"hallockinterface.jpg\"<\/em>
\nPatent for the interface of Mary Hallock-Greenewalts colour organ.<\/em><\/p>\n

– The elements of Geometry<\/p>\n

\"troili.jpg\"\"lenkercurious.jpg\"
\nThe elements of geometry as typically seen on the first pages of perspective handbooks, here from Guido Troili, “Paradossi per pratticare la prospettiva” (1672). And a perspective curiosity by Hans Lencker, “Perspectiva Literaria” (1572).<\/em><\/p>\n

\"superville.jpg\"\"suprematism58.jpg\"
\nThe intrinsic meanings of colours, shapes and lines by Humbert de Superville (ca. 1830), and ‘Suprematism (Supremus No. 58)’ by Kazimir Malevich.<\/em><\/p>\n

\"allegretto.jpg\"
\nStill from ‘Allegretto” by Oskar Fischinger (1936).<\/em><\/p>\n

– Harmonics<\/p>\n

\"1660dewit.jpg\"\"zeising.jpg\"
\nproportion: drawing schemas by De Wit (1660) and the invention of the Golden Section by Adolf Zeising (1854).<\/em><\/p>\n

\"tadakhul.jpg\"\"alhamstar.jpg\"
\nsymmetry: construction example from “F i tadakhul al-ashkal al-mutashabiha aw al-mutawafiqa” an anonymous treatise from the 11th to 13th century, and a floor pattern from the Alhambra.<\/em><\/p>\n

\"chladni.jpg\"\"lissajouscurves.jpg\"
\nharmonics: wave patterns by Ernst Chladni (1787) and harmonic figures by Jules Lissajous (1857).<\/em><\/p>\n

\"cymatics.jpg\"
\nwave pattern from the work of Hans Jenny (1967)<\/em><\/p>\n

\"schillinger.jpg\"
\nthe parameters of light art as seen by Joseph Schillinger (1948)<\/em><\/p>\n

– Grammar<\/p>\n

\"lsyst.jpg\"
\nan example of Aristid Lindenmayers L-systems.<\/em><\/p>\n

\"stinygips.jpg\"
\nshape grammar by Stiny and Gips (1978)<\/em><\/p>\n

– ‘Complexity’<\/p>\n

\"ulam.jpg\"\"conway.jpg\"
\nCellular Automata by Stanislaw Ulam (ca. 1942) and John Conway (ca. 1970)<\/em><\/p>\n

\"turing1.jpg\"\"turing2.jpg\"
\ninvestigations into morphogenesis by Alan Turing (1952).<\/em><\/p>\n

\"reeves1.jpg\"\"reeves2.jpg\"
\nparticle systems as described by Reeves (1983).<\/em><\/p>\n

\"boids.jpg\"
\nBoids by Craig Reynolds (1986).<\/em><\/p>\n

\"levinmessa.jpg\"
\nagent-based audiovisual interfaces by Golan Levin (Messa di Voce, 2003)<\/em><\/p>\n

\"mourabot.jpg\"
\nrobotic painting agents by Leonel Moura (2003).<\/em><\/p>\n

further reading:<\/p>\n