Category Archives: films

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#67

Part of the retrospective programmes at the most recent Rotterdam Film festival was the premiere of a new piece, #67. This work was commissioned by LIMA in Amsterdam as part of ‘Unfold‘, a project that investigates re-interpretation as a strategy for the preservation and activation […]

cover of the 1967 edition.

fine distinction

Since I wrote my somewhat longish post on analog computing, many things have happened. For instance, I have become the proud owner of an EAI TR-48 analog computer from 1963, a machine to which I will devote a future longish post with plenty images as […]

film #43 in the Stedelijk.

#43 in Stedelijk

On 20 to 23 february the Vertical Cinema programme was screened on four evenings in the Dan Flavin hall of the Stedelijk Museum in Amsterdam. The nice people of Sonic Acts organized a very interesting lecture series around it, in collaboration with the curators of […]

screening of #43 in Krems, last october. photo © 2013 Sascha Osaka

another premiere of #43

My most recent film #43, made in the context of the Vertical Cinema project, will have its second premiere at the upcoming International Film Festival Rotterdam. This time, the Vertical Cinema programme will be accompanied by a lecture by Erkki Huhtamo, to which I am […]

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premiere film #43

Tomorrow, at the Kontraste Festival in Krems (Austria), will be the premiere of a film I made before the summer, which I decided to call ‘#43′. It is part of the Vertical Cinema project initiated by the nice people of Sonic Acts and it is […]

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exhibitions

Tomorrow will be the opening of the Synthetic Cinema exhibition that is part of the SHARE Conference in Belgrade. which includes my #37 amongst works by Paul Prudence, Lia, Woody Vasulka & Brian O´Reilly, Qayola, Tina Frank and Robert Seidel. On Saturday April 9th, I […]

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january

After retrospectives of my films in Zagreb and Vienna and my live-cinema debut in Vancouver in the fall, there will be a sudden thickening of presentations of my work in The Netherlands at the end of January, plus a performance in Paris: on the 18th […]