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light mattersJoost Rekveld
  • Home
  • joost
    • contact
    • newsletter
  • films
  • installations
  • curating
  • live
  • courses
    • Frank with Frankenstein
      • description
      • texts
      • assignment
    • The Religion of Technology
      • description
      • texts
      • assignment
    • Theory and Actuality of Media Art
      • 1: visual music
      • 2: extended perception
      • 3: cyborgs
      • 4: robots
      • 5: bioart
      • 6: generative art
      • 7: virtual art
      • 8: communications art
      • 9: sound art
    • Sensory Augmentation Workshop
    • On Growth, Form and Evolution
    • Media Art Histories
    • Nine Snapshots
    • Machine Mediated Vision
      • course description
      • lecture 1: images from first principles
      • lecture 2: the camera eye
      • lecture 3: the dome of the sky
      • lecture 4: traces
      • assignment 2006/2007
      • assignment 2007/2008
      • assignment 2009/2010
      • assignment 2010/2011
      • assignment 2011/2012
    • Montage and Visual Composition in Time
    • Views on Technology
    • Essentials in Science and Technology
    • Writings about Technology
    • Mediated Architecture
    • The Language of ArtScience
    • Extra Senses, Extra Interference
    • workshop St. Lukas
    • Diagonal Montage
    • Mental Spaces
    • Autonomous Robots
    • Pattern and Visualization: Pattern Agents
    • Mental versus Virtual Space: Camillo’s Theatre of Memory
    • Pattern and Visualization: L-systems
  • writing
  • sources
    • objects
      • Applied Dynamics AD/FOUR hybrid computer (1966)
      • Solartron analog computer (ca. 1958)
    • texts
      • De Luce
      • Explanation of an Optical Deception
      • A New Art: Colour-Music
      • The Design of M. Speculatrix
      • Organics
  • research

films

in preparation:

  • “#59” (2020)
  • “#83” (2021)

film37p4cut.jpg
still from “#37”

filmography:

  • “#57” (DCP, 14 min, 2017)
  • “#67” (DCP, 17 min, 2017)
  • “#43.6” (DCP, 11 min, 2013)
  • “#43” (35mm vertical cinemascope, 11 min, 2013)
  • “#37” (35mm cinemascope, 31 min, 2009)
  • “#23.2, Book of Mirrors” (35mm, 12 min, 2002)
  • “Beat Time” (video, 9 min, 2000)
  • “#11, Marey Moiré” (35mm cinemascope, 21 min, 1999)
  • “#7” (16mm, 32 min, 1996)
  • “#5” (3x 16mm expanded film, 6 min, 1994)
  • “VRFLM” (16mm, 2 min, 1994)
  • “#3” (16mm, 4 min, 1994)
  • “#2” (16mm, 12 min, 1993)
  • “IFS-film” (16mm, 3 min, 1991-94)

112_film23.jpg
still from “#23.2, Book of Mirrors”

Most of my films are available on DVD and Blu-ray in the ’11 films’ boxset released by Re:Voir in collaboration with the Eye Filmmuseum.

My films can be rented for screenings via (please note that not all distributors have all films):

for IFS-film, #3, VRFLM, #5, #7, #11, #23.2 and #37:

Lightcone (Paris)
+ 33 (0)1 46 59 01 53
lightcone@lightcone.org

for #11:

Lux (London)
+ 44 (0)20 7503 3980
info@lux.org.uk

for all films (including DCP versions and restorations):

Eye Experimental (Amsterdam)
+ 31 (0)20 589 1400
experimental@eyefilm.nl

for #67 and the HD-video version of #37:

Li-Ma (Amsterdam)
+31(0)20 389 2030
theuszwakhals@li-ma.nl

There are prints of some of my films in the US too.
For these and for any other requests please contact me.

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