more Meno

An unexpected encounter with an old question on pages 21-22 of Michael Polanyi, “The Tacit Dimension”, University of Chicago Press, 2009:

“It is a commonplace that all research must start from a problem. Research can be successful only if the problem is good; it can be original only if the problem is original. But how can one see a problem, any problem, let alone a good and original problem? For to see a problem is to see something that is hidden. It is to have an intimation of the coherence of hitherto not comprehended particulars. The problem is good if this intimation is true; it is original if no one else can see the possibilities of the comprehension that we are anticipating. To see a problem that will lead to a great discovery is not just to see something hidden, but to see something of which the rest of humanity cannot have even an inkling. All this is a commonplace; we take it for granted, without noticing the clash of self-contradiction entailed in it. Yet Plato has pointed out this contradiction in the Meno. He says that to search for the solution of a problem is an absurdity; for either you know what you are looking for, and then there is no problem; or you do not know what you are looking for, and then you cannot expect to find anything.

The solution which Plato offered for this paradox was that all discovery is a remembering of past lives. This explanation has hardly ever been accepted, but neither has any other solution been offered for avoiding the contradiction. So we are faced with the fact that, for two thousand years and more, humanity has progressed through the efforts of people solving difficult problems, while all the time it could be shown that to do this was either meaningless or impossible. We have here the classical case of Poe’s Purloined Letter, of the momentous document lying casually in front of everybody, and hence overlooked by all. For the Meno shows conclusively that if all knowledge is explicit, i.e., capable of being clearly stated, then we cannot know a problem or look for its solution. And the Meno also shows, therefore, that if problems nevertheless exist, and discoveries can be made by solving them, we can know things, and important things, that we cannot tell.”

handbag with key hiding casually in plain sight in 'Dial M for Murder' by Alfred Hitchcock.

handbag with key hiding in plain sight in ‘Dial M for Murder’ by Alfred Hitchcock.